Přístupnostní navigace
E-application
Search Search Close
Course detail
FaVU-2DPAcad. year: 2026/2027
The course is based on sharing how ways of making and knowing are performed through diverse design practices. Together with invited practitioners and academics we will discuss how we practice making and knowing in design, and how our process of working is performed. The discussion will be complemented by lecture and study inputs, such as curated readings, reviewing design projects in relation to selected topics and invited guest. The thematic focus of the course will change throughout semester. The focus on design as a mode of self‑reflective and process‑oriented practice, one that continually adopts a position in relation to the changing conditions of the project remains at the centre of each meeting.
Language of instruction
Number of ECTS credits
Assignment to study programme types
Mode of study
Guarantor
Department
Offered to foreign students
Entry knowledge
Previous experience with the theory of design or visual culture is not required.
Rules for evaluation and completion of the course
Aims
The aim of the course is to encourage reflection of the design practice by framing design as thinking‑in‑action and as an iterative, situated process, while critically examining its limits, responsibilities, and the disillusions surrounding problem‑solving claims.
Completion of the course will support students to engage in interdisciplinary dialogue and to critically position their design practice in relation to current challenges of their field.
Study aids
Prerequisites and corequisites
Basic literature
Recommended reading
Classification of course in study plans
Seminar
Teacher / Lecturer
Syllabus
The syllabus – the exact composition and format of individual seminars – is specified before the beginning of each semester in which the course is taught, and is based on the current focus and definition of the main thematic blocks. The seminar will address following questions:
What are the limits of design, and how do they become visible in practice?
How does tacit knowledge shape design judgment and expertise?
How can uncertainty and failure inform design decisions?
How can design avoid becoming a tool of simplification or instrumentalization?
How does design participate in constructing publics rather than addressing them?
What does it mean to take an ethical position through design practice?
What is the role of craft in contemporary design practice?
How do we articulate our design practice in relation to contemporary challenges?
Regular individual preparation for activities in the semester