The presented diploma thesis explores the relationships between human and non-human entities through material assemblage within the specific environment of a family garden center. The point of departure is the personal experience of the author, which shapes her sensitivity towards materials on the boundary of their primary utility and towards their potential to enter new semantic and functional relationships. The theoretical framework anchors the practical research within contemporary philosophical thought on matter with a primary focus on Jane Bennett's vital materialism and Manuel DeLanda's assemblage theory. The text analyzes the transformation of material perception from a ritualistic approach in earlier artistic works to the current recognition of the autonomous power of things and material agency. The practical output of the project is a spatial installation transforming waste fragments of gardening infrastructure into a complex ecosystem of objects. The author works with elements such as irrigation systems, biological ballast, or synthetic nets. Selected objects are stripped of their original utility and elevated to equal partners in the creative process. The work addresses the paradox of modern landscape cultivation while simultaneously acknowledging the processual nature of the artwork subject to natural degradation and constant variability. The collection of works is conceived as a dynamic system in which materials enter into mutual interactions. The resulting installation represents a temporary configuration of material processes that remains open to further transformations and interpretations.