Czech

2

Not applicable.

Graduating from Curating in a Shifting Terrain course is recommended.

Attendance and submission of a curatorial project proposal is required for credit. 
The condition for successful completion of the course is active participation in class and completion of assignments. 3 unexcused absences are allowed. Missed classes can be made up by doing homework.   

The aim of the course is to help students develop the ability of conceptual curatorial thinking.  
Upon completion of the course, students will gain a deeper understanding of the possibilities of curatorial work, be able to formulate a coherent curatorial proposal, and have a practical understanding of the nature and cycles of curatorial work. 

Not applicable.

Pavlína MORGANOVÁ – Terezie NEKVINDOVÁ – Dagmar Svatošová, Výstava jako médium, Praha: AVU 2020. (CS)
Terry SMITH, Thinking Contemporary Curating. New York: Indipendent Curators International 2012. (EN)
Vít HAVRÁNEK, Zbyněk BALADRÁN (eds.): Atlas transformace. Praha: JRP Ringier, tranzit. 2010. (CS)

Kate FOWLE, „Who Cares? Understanding the Role of the Curator Today“, in: Steven RAND – Heather KOURIS (eds.), Cautionary Tales. Critical Curating,[s.l.]: apexart 2010, s. 26–35. 70 (EN)
Amanda CACHIA, „Disabling the Museum. Curator As Infrastructural Activist“, in: Vanessa BARLETT (ed.), Group Therapy: Mental Distress in a Digital Age, Liverpool: Liverpool University Press 2015. (EN)
Kathy DAVIS, „Intersectionality As Critical Methodology“, in: Nina LYKKE (ed.), Writing Academic Texts Differently. Intersectional Feminist Methodologies and the Playful Art of Writing, New York: Routledge 2014. (EN)
Elke KRASNY, Sophie LINGG, Lena FRITSCH, Birgit BOSOLD, Vera HOFMANN (eds.), Radicalizing Care Feminist and Queer Activismin Curating, Berlin: Sternberg Press, 2022. (EN)
Paul O’NEILL – Mick WILSON (eds.), Curating Research, London – Amsterdam: Open Editions 2015. (EN)
Irit ROGOFF – Beatrice VON BISMARCK, “Curating/Curatorial”, in: Beatrice VON BISMARCK – Jörn SCHAFAFF – Thomas WESKI, Cultures of the Curatorial, London: Sternberg Press 2012, s. 21–40. (EN)
Joasia KRYSA, „Exhibitionary Practices at the Intersection of Academic Research and Public Display“, in: Jan KAILA – Anita SEPPÄ – Hendrik P. SLAGER (eds.), The Futures of Artistic Research: at the Intersection of Utopia, Academia and Power, Helsinky: Academy of Fine Arts – Uniarts Helsinki 2017, s. 63–70. (EN)
Paul O’NEILL, The Culture of Curating and the Curating of Culture(s), Cambridge: The MIT Press 2012. 72 (EN)
Linda NOCHLIN: „Proč neexistovaly žádné velké umělkyně?“ In: Martina PACHMANOVÁ: Neviditelná žena: antologie současného amerického myšlení o feminismu, dějinách a vizualitě. 1. vyd., One Woman Press Praha, 2001. (CS)
Claire BISHOP and Dan PERJOVSCHI: Radical Museology: Or, What's 'Contemporary' in Museums of Contemporary Art? London: Koenig, 2014. (EN)
WILL Bradley and Charles ESCHE. Art and Social Change: A Critical Reader. London: Tate Publishing. (EN)
Maria HLAVAJOVA and Simon SHEIKH. Former West: Art and the Contemporary After 1989. Utrecht and Cambridge: basis vor actuele kunst and MIT Press. 2016. (EN)
Brian O´DOHERTY: Inside the White Cube: The Ideology of the Gallery Space. Berkeley: University of California Press. 1999. (EN)
Hans Ulrich OBRIST: A Brief History of Curating. JRP Editions. 2008. (EN)
Dieter LESAGE: Art, Research and Politics: Essays in Curatorial Criticism (1999-2014) (EN)
David BALZER: Curationism: How Curating Took Over the Art World and Everything Else. Pluto Press: London. 2014. (EN)
Terry SMITH: Curating the Complex & The Open Strike. Berlin: Sternberg Press, 2021. (EN)
Zdenka BADOVINAC: Unannounced Voices: Curatorial Practice and Changing Institutions, Berlin: Sternberg Press, 2022. (EN)
Beatrice von BISMARCK: The Curatorial Condition. Berlin: Sternberg Press, 2022. (EN)
Bonaventure Soh Bejeng NDIKUNG: Pidginization as Curatorial Method: Messing with Languages and Praxes of Curating. Berlin: Sternberg Press, 2022. (EN)
Jana ŠEVČÍKOVÁ– Jiří ŠEVČÍK: Texty. Praha: tranzit. 2010. (CS)
Petra HANÁKOVÁ: Ženy – Inštitúcie? K dejinám umeleckej prevádzky deväťdesiatych rokov. Bratislava: VŠVU, Slovart. 2010. (SK)

26 hours, compulsory