English

10

Not applicable.

Completion of Studio Practice 1 a Studio Practice 2.

Credits are awarded on the basis of a successful implementation of an individual study plan. The grade is based on the assessment of the end of semester final project carried out by a panel of internal and external experts.
Work is done by appointment/need either directly in the chosen studio or in a shared studio of the Fine Art and Design program. Classes include individual project work, studio activities and individual consultations as defined by the studio curriculum.

The objective is to provide students with material conditions and a welcoming and engaging working environment so that they can develop into independent individuals with the ability and confidence to articulate their imaginative and critical positions.
Upon completion of the course, students have theoretical knowledge and practical skills concerning material processes and technological procedures in the field designated by their studio and an understanding of creative and critical concerns of contemporary art/design at the level appropriate for the stage of the study. Students are able to carry out and defend an original and innovative art/design project.

Not applicable.

Not applicable.

Baladrán, Zbyněk, Vít Havránek, and Věra Krejčová, eds. 2009. Atlas of Transformation. Praha: Tranzit. http://monumenttotransformation.org/atlas-of-transformation/ (EN)
Bauer, Erwin K., and Dieter Mayer. 2009. Orientation & Identity: Portraits of International Way Finding Systems. Wien: Springer. (EN)
Benjamin, Walter. 2019. Illuminations: Essays and Reflections. Boston and New York: Mariner Books and Houghton Mifflin Harcourt. (EN)
Bey, Hakim. 2003. T.A.Z. The Temporary Autonomous Zone: Ontological Anarchy, Poetic Terrorism. Brooklyn: Autonomedia. (EN)
Bishop, Claire. 2012. Artificial Hells: Participatory Art and the Politics of Spectatorship. London and New York: Verso Books. (EN)
Bourdieu, Pierre. 2002. Masculine Domination. Stanford: Stanford University Press. (EN)
Bourriaud, Nicolas, Jeanine Herman, and Caroline Schneider. 2005. Postproduction. Culture as Screenplay: How Art Reprograms the World. New York: Lukas & Sternberg. (EN)
Bradley, Will, and Charles Esche. 2007. Art and Social Change: A Critical Reader. London: Tate Publishing. (EN)
Copeland, Mathieu, Clive Phillpot, Jihn Armleder, and Mai-Thu Perret, eds. 2009. Voids: A Retrospective. Zurich: JRP/Ringier. (EN)
Debord, Guy. 2018. Society of the Spectacle. Detroit: Black & Red. (EN)
De Landa, Manuel. 1997. A Thousand Years of Nonlinear History. New York: Zone Books. (EN)
Dempsey, Amy. 2010. Styles, Schools and Movements: The Essential Encyclopaedic Guide to Modern Art. London: Thames & Hudson. (EN)
Didi-Huberman, Georges, and Harvey Mendelsohn. 2017. The Surviving Image: Phantoms of Time and Time of Phantoms: Aby Warburg's History of Art. University Park, Pennsylvania: The Pennsylvania State University Press. (EN)
Duchamp, Marcel, and Michel Sanouillet. 1989. The Writings of Marcel Duchamp. New York: Da Capo Press. (EN)
Franchi, Francesco. 2013. Designing News: Changing the World of Editorial and Information Graphics. Berlin: Gestalten. (EN)
Fried, Michael. 2008. Why Photography Matters as Art as Never Before. New Haven and London: Yale University Press. (EN)
Ghent Urban Studies Team. 1999. The Urban Condition: Space, Community, and Self in the Contemporary Metropolis. Rotterdam: 010 Publishers. (EN)
Graham, Gordon. 2005. Philosophy of the Arts. London: Routledge. (EN)
Groys, Boris. 2014. On the New. London and New York: Verso. (EN)
Harari, Yuval Noah. 2018. Sapiens: A Brief History of Humankind. New York: Harper Collins. (EN)
Havránek, Vít, Sabine Schaschl-Cooper, and Bettina Steinbrügge, eds. 2005. The Need to Document. Lüneburg: JRP Ringier. (EN)
Higgins, Hannah. 2003. Fluxus Experience. Berkeley: University of California Press. (EN)
Howell, Anthony. 1999. The Analysis of Performance Art: A Guide to Its Theory and Practice. Rotledge: London. (EN)
Jenkins, Henry, Sam Ford, and Joshua Green. 2018. Spreadable Media: Creating Value and Meaning in a Networked Culture. New York: New York University Press. (EN)
Juul, Jesper. 2019. Handmade Pixels: Independent Video Games and the Quest for Authenticity. Cambridge, Massachusetts: The MIT Press. (EN)
Klanten, and Sinofzik. 2013. Introducing Culture Identities: Design for Museums, Theaters, and Cultural Institutions. Berlin: Gestalten. (EN)
Klanten, Robert, Adeline Mollard, and Matthias Hübner. 2011. Behind the Zines: Self-Publishing Culture. Berlin: Gestalten. (EN)
Krauss, Rosalind. 1979. “Sculpture in the Expanded Field.” October 8: 31–44. https://doi.org/10.2307/778224 (EN)
Krauss, Rosalind E. 2010. The Originality of the Avant-Garde and Other Modernist Myths. Cambridge, Massachusetts: The MIT Press. (EN)
Macevilley, Thomas. 1995. The Exile's Return: Toward a Redefinition of Painting for the Post-Modern Era. Cambridge: Cambridge University Press. (EN)
Macfarlane, Kate, and Edwin Carels. 2012. Graphology: Drawing from Automatism and Automation. Gent: MER Paperkunsthalle. (EN)
MacLennan, Alastair, Gray Watson, Roddy Hunter. 2003. Knot Naught. Belfast: Ormeau Baths Gallery. (EN)
Martens, Karel, Robin Kinross, Koosje Sierman, Françoise Berserik, Harry Lake, et al. 2010. Karel Martens Printed Matter = Drukwerk. London: Hyphen Press. (EN)
McLuhan, Marshall. 1964. Understanding Media: The Extensions of Man. New York: McGraw-Hill. (EN)
Mechner, Jordan. 2020. The Making of Prince of Persia: Journals 1985-1993. San Francisco: Stripe Press. (EN)
Mitchell, William J. 2005. Placing Words: Symbols, Space, and the City. Cambridge, Massachusetts: The MIT Press. (EN)
Müller-Brockmann, Josef. 2021. Grid Systems in Graphic Design: A Visual Communication Manual for Graphic Designers, Typographers, and Three Dimensional Designers. Salenstein: Niggli. (EN)
Pitts, Victoria. 2015. In the Flesh: The Cultural Politics of Body Modification. Palgrave Macmillan. (EN)
Rappo, François. 2009. Typeface as Program: Applied Research and Development in Typography. Lausanne: ECAL, University of Art and Design Lausanne. (EN)
Rendgen, Sandra, Julius Wiedemann, Paolo Ciuccarelli, Richard Saul Wurman, and Simon Rogers. 2020. Information Graphics. Köln: Taschen. (EN)
Sayre, Henry M. 2007. The Object of Performance: The American Avant-Garde Since 1970. Chicago: University of Chicago Press. (EN)
Tholenaar, Jan, Cees de Jong, and Alston W. Purvis. 2009. Type: A Visual History of Typefaces and Graphic Styles. Köln: Taschen. (EN)
Velden, Daniel van der, and Vinca Kruk, eds. 2009. Metahaven: Uncorporate Identity. Baden: Lars Müller. (EN)

91 hours, compulsory