Czech

1

Not applicable.

Students will familiarize with the terminology of the history of art and with the problems of the discipline; will acquire the knowledge of artefacts that illustrate the general aspects of the history of art. Students will be able to connect the important terms (style, era, authorship, function of art) with particular examples of the works of art from history.

Not applicable.

Not applicable.

The cycle of lectures presenting the reproductions of paintings and graphical schemata.

The knowledge is assessed via a written test that will be graded.

1. Fine art and the basic terminology; architecture, painting and sculpture - their points of overlap
2. The concept of style; style as a definition of era; its use to set the relative dating
3. The concept of evolution; ancient evolution cycle as a model for the concept of art evolution in the Middle Ages and modern era
4. The concept of tradition, convention, historicism; establishing of traditional elements in the history of art from the Middle Ages
5. The concept of avant garde; avant gardes of the 20th century
6. The history of art as a science: the concept of the history of art as an individual interpretation of a problem (E. H. Gombrich)
7. Space in art: specifics of paintings
8. Space in art: specifics of sculptures
9. Arts and crafts: techniques and materials of the prehistoric cultures, the Antiquity and the Middle Ages
10. Arts and crafts: techniques and materials in the modern era
11. Authorial subject, author´s style, individuality of the fine art work
12. Mimesis versus abstraction; the history of art as a history of depicting
13. Human figure and the changes of its representation from the prehistoric times to the 20th century

Not applicable.

To identify the history of art as an independent discipline, anchored in the history and society, and which provides a valuable source of knowledge for a deeper theoretical and historical anchoring of architectural work in the context of (European) visual art.

Students must attend at minimum 80 % of the classes.
In the case of a student's apology and with approval of the subject guarantor, personal attendance may be substituted with online attendance in the classes.

Not applicable.

Not applicable.

MORAN, Henri de, Dějiny užitého umění od nejstarších dob po současnost. Praha: Odeon, 1983. (CS)
LOMMEL, Andreas, Pravěk a umění přírodních národů. Praha: Artia, 1970. (CS)
LASSUS, Jean, Raně křesťanské a byzantské umění, Praha: Artia, 11971. (CS)
KIDSON, Peter, Románské a gotické umění, Praha: Artia, 1973. (CS)
MARTINDALE, Andrew, Člověk a renesance, Praha: Artia, 1972. (CS)
KITSON, Michael, Barok a rokoko, Praha: Artia, 1972. (CS)
LYNTON, Norbert, Umění 19. a 20. století, Praha: Artia, 1981 (CS)

BÁRTA, Miroslav, Příběh civilizace. Vzestup a pád stavitelů pyramid. Praha: Academia, 2017 (CS)
BOUZEK, Jan, Vznik Evropy. Praha: Triton, 2013 (CS)
SCHAPIRO, Meyer. Dílo a styl. Praha: Argo, 2006. (CS)
GOMBRICH, Ernst Hans. Umění a iluze. Studie o psychologii obrazového znázorňování. Praha: Argo, 2019. (CS)
WITTLICH, Petr. České sochařství XX. století 1890–1945, Praha: Státní pedagogické nakladatelství, 1978 (CS)
SPUNAR, Pavel a kolektiv. Kultura středověku. Praha. Academia, 1995. (CS)

eLearning: currently opened course

26 hours, optionally

eLearning: currently opened course