Czech

Not applicable.

Students will be informed about the developments in contemporayr art intermedia and will be able to theoretically reason their own preferences of untraditional artistic media.

None

Not applicable.

The methods of teaching vary according to the form of teaching and they are described by Article 7 of the BUT Rules for Study and Exams.

Credits, tests, exam.

1. Time and space in the symbolic reflection of the wold
2. Sociological, philosophico-aesthetical and poetic departure points of art intermedia
3. Intermedia and multimedia character of contemporary art as the result of natural integration of disciplines, media, and technoloies
4. Synchronic multifocality, polyphreny, and relativization of genre taxonomies in conteporary art
6. The relationship between art, science, and technology
7. The pioneers of intermedia approach to art (Duchamp, Cage, Kaprow, Beuys, Paik).
8. Dematerialization and conceptualization of an artwork
9. Art and new media and technologies
10. Interactivity and the open art work

Not applicable.

The aim of the course is to provide an overview for the students of contemporary artistic media and prvide them with philosophical-poetic basis for their decisions to transgress and combine traditional media in their own work.

Attendance is mandatory

Not applicable.

Not applicable.

Cseres, Jozef - Murin, Michal (eds.): Od analógového k digitálnemu. AU, Banská Bystrica 2010.
Kahn, Douglas: Noise, Water, Meat. A History of Sound in the Arts. MIT Press, Cambridge 1999.
Kostelanetz, Richard: The Theatre of Mixed Means. Pitman Publishing, London 1970.
Rush, M.: New Media in Late 20th Century Art.

Cseres, J. - Murin, Michal (eds.): Od analogového k digitálnímu.. AU, Banská Bystrica 2010.
Higgins, Dick: Intermédia. In: Ulver, S. - Západní filmová avantgarda, Praha 1991.