Course detail

Media of the Event - summer

FaVU-MEA-LAcad. year: 2012/2013

The course in the theory and history of action art, with the emphasis put on interactive expressions in current media art.

Language of instruction

Czech

Number of ECTS credits

3

Mode of study

Not applicable.

Learning outcomes of the course unit

The course theoretically and historically supplements the studies of action art in the area of media and interactive creation.

Prerequisites

Without.

Co-requisites

Not applicable.

Planned learning activities and teaching methods

Teaching methods depend on the type of course unit as specified in the article 7 of BUT Rules for Studies and Examinations..

Assesment methods and criteria linked to learning outcomes

Course-unit credit.
The prerequisite for the credit is the accomplishment of assigned tasks in the form of a paper.

Course curriculum

PROSTOR (vnější prostředí-architektura / mentální dimenze)

1. Robert SMITHSON, Dennis OPPENHEIM, Richard SERRA, Mike HEIZER - LAND ART / intervence
2. Richard LONG, Hamish FULTON, Andy GOLTHWORTHY – LAND ART / participace
3. CHRISTO, Gordon MATTA CLARK, Dan GRAHAM – performing architecture
4. Joseph KOSUTH, On KAWARA, Bernar VENET, William ANASTASI - CONCEPT ART
5. Marina ABRAMOVIČ / ULAY, James Lee BYARS – spirituální dimenze
6. Nikolaus LANG / Maya DEREN - mýtus a rituál
FIGURA (tělo) – (vnitřní prostor / soukromí a intimita / emocionální dimenze)

1. Chris BURDEN, Vito ACCONCI – male body
2. ORLAN, STELARC – cyber body
3. Valie EXPORT, Carolee SCHNEEMAN, Hannah WILKE – female body
4. Yoko ONO, Shigeko KUBOTA, Charlotte MOORMAN, Yayoi KUSAMA – female FLUXUS
5. s.m. – Gina PANE, Bob FLANAGAN / homo – FRANCO B, Ron ATHEY
6. porn-prostitute – Cossey Fanni TUTTI, Linda BENGLIS, Annie SPRINKLE / strip-erotic – Elke KYSTUFEK, Tracey EMIN



Work placements

Not applicable.

Aims

To develop the abilities to combine and incorporate theoretic knowledge in the area of action art for the sake of reflection of a complex artwork. This is achieved through the cognition of interactive forms of presentation, through the cognition of media strategies of creative entry into reality.

Specification of controlled education, way of implementation and compensation for absences

Lessons are obligatory.

Recommended optional programme components

Not applicable.

Prerequisites and corequisites

Not applicable.

Basic literature

ABRAMOVIĆ, Marina. a Velimir. ABRAMOVIĆ. Marina Abramović: artist body : performances 1969-1998. Milano: Charta (CS)
Byars, James Lee & Elliott, James & University of California, Berkeley. University Art Museum. The perfect thought : works by James Lee Byars. University Art Museum, University of California at Berkeley, Berkeley, Calif (CS)
KASTNER, Jeffrey, & Brian WALLIS. Land and environmental art. Abridged, rev., and updated. New York, NY: Phaidon Press (CS)
Schimmel, Paul & Stiles, Kristine. Out of Actions: Between Performance and the Object, 1949-1979. London: Thames and Hudson (CS)
WARR, Tracey. a Amelia. JONES. The artist's body. Abridged, rev. and updated [ed.]. New York, NY: Phaidon (CS)

Recommended reading

Not applicable.

Classification of course in study plans

  • Programme Bachelor's

    branch , 1 year of study, summer semester, elective

  • Programme Bachelor's

    branch APE , 1 year of study, summer semester, compulsory

Type of course unit

 

Lecture

13 hod., optionally

Teacher / Lecturer

Seminar

13 hod., compulsory

Teacher / Lecturer